The talented musician, a key member of the groundbreaking 1980s electronic music band Soft Cell, has passed away at the age of 66.
Alongside singer Marc Almond, the duo achieved a worldwide hit with their cover of Gloria Jones' Tainted Love in 1984, and their debut album Non-Stop Erotic Cabaret is regarded as a seminal work of synth-pop.
He later founded the pioneering electronic act The Grid, who secured popular acclaim with their 1994 single Swamp Thing.
Ball died peacefully in his sleep at his home in London on October 22, only a short time after playing a headline show with Soft Cell at the Rewind music event in Henley-on-Thames.
Health Struggles
At that performance, Ball performed in a mobility chair, as he had for the last two years, after a period of health issues.
"I managed to injure myself significantly," he commented in 2023. "I broke lower vertebrae in my back and cracked about multiple ribs and broke my arm."
After catching a lung infection and developing sepsis, he was placed in an medically-induced sleep and stayed in hospital for half a year.
However, he had been in "high spirits emotionally" during the summer, as he worked on a fresh record with Almond, called the upcoming Danceteria, which is scheduled for publication in the coming year.
"He was focused and so happy with the new album that we actually completed only a few days ago," stated the vocalist in a tribute.
"It's so sad as next year was all set to be such an uplifting year for him, and I take some solace from the knowledge that he listened to the finished record and believed that it was a masterpiece."
Tributes
Almond referred to his collaborator as "a wonderfully brilliant musical genius", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.
"Thank you Dave for being an significant part of my life and for the music you created with me. I wouldn't be where I am without your influence."
His Grid bandmate from The Grid, also paid tribute, remembering Ball's "endless laughter" and "steadfast support".
"Being in a duo with someone is distinct from being in a group, the bond is incredibly close," he added.
"That's how it was with us. We experienced so many remarkable, extraordinary, life-affirming moments together. Many thanks, Dave."
Early Life
Born into a one-parent family in the city of Chester in the late 50s, Ball was put up for adoption when he was 18 months old.
He was raised in the seaside town with his new family his caregivers, who changed his given name from Paul to his adopted name, together with his sibling his sister, who was similarly welcomed.
He encountered Almond at Leeds Polytechnic in the late 70s, where they were both learning art. Fuelled by a mutual passion of Northern Soul, they established Soft Cell the same year, and promptly produced an extended play.
Musical Partnership
The pair were an unusual pairing: Ball was the quiet technician, bent over his keyboard, while Almond was a charismatic performer, all glitter and eye-liner; but they attained a rare musical alchemy.
Ball had cultivated a fascination with synthesizers after viewing Kraftwerk appear on BBC program Tomorrow's World, and began to marry dark electronica to the catchy tunes Almond was composing.
Their signature song became the United Kingdom's second most popular single of 1981, shifting millions of units globally. Together with successful tracks by Gary Numan, Human League and electronic acts, it helped paved the way for the electronic music style of the 1980s.
The track was also featured on their first album, Non-Stop Erotic Cabaret, which produced two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.
They continued the record up with the separate release, Torch, which peaked at number two in 1982.
Professional Journey
Success had its upsides. "I loved being able to purchase my first home, having financial security and exploring, which might seem like a Miss World," Ball not long ago shared with a music magazine.
But it also presented problems. "Newfound wealth allowed we could afford newfound drugs to alleviate the monotony" of press appearances and television shows, Ball said.
"I realize that's a common saying, but it's a cliché for a valid cause, because it works for so many bands."
During the hedonistic lifestyle, the pair were also drifting apart, but they managed to create a second memorable record - the unconventional, edgy and fittingly named The Art Of Falling Apart.
They released one more album, their 1984 release This Last Night In Sodom, before dissolving the group to focus on individual endeavors.
Almond went on to have a successful solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with ambient pop over a long-lasting partnership.
Later Work and Comebacks
Soft Cell came back together in the early 2000s, producing the charting record Cruelty Without Beauty.
After another break, they returned in 2018, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the O2 Arena on 30 September, that year.
However, they remained together, recording their fifth album, Happiness Not Included, during the pandemic Covid lockdown.
Ball recently described the duo's new album as a homage to the New York club scene they frequented while recording their first two albums.
He added that his time in hospital had shaped the band's sound.
"I experienced unusual memories when I was in and out of hospital because I was on pain medication," he told a music magazine.
"The new songs are a electronic representation of the noises in my head from that time.
"Simultaneously, it's about the times we had in the 80s."
The last versions were completed only a short time before Ball passed away. It is due for release in the spring of 2026.